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33 1 3 Long Play Records

Gentlemen (33 1/3)

Gentlemen (33 1/3)


Like no record before or since, Gentlemen is fraught with the psychological warfare, bedroom drama, Catholic guilt, reprehensible deception, and shame that coincide with relationships gone seriously wrong. Its seemingly thick skin is rife with argument, infection, claustrophobia, temptation, accusation, illness, addiction, blood, scourge, and spite. And then there's the music. Singer Greg Dulli's liquor-cabinet confessions are chased with some of the blackest-sounding rock ever committed to tape by a white band. Hopped-up on primal energy, the mesmerizing R&B, funk, slide-blues, garage, and chamber-pop strains are tied to a come-hither soulfulness perfumed with hyssop and stained with nicotine. To this day, Gentlemen remains as cursed as its controversial narrator, an album out of time even in its time. Released in October 1993, when grunge ruled the world, it sold far less than works by most "alternative" bands of the day. Despite glowing reviews and feverish tour support, Gentlemen faded from view--and yet it remains dearly beloved to almost everyone who's heard it. Drawing on new, in-depth interviews with all of the band members, Bob Gendron dissects the record's charisma, arrangements and lyrics. He also delves into the memories, histories, experiences and influences of the Afghan Whigs, most notably those driving Dulli, a polarizing frontman whose fierce pretentiousness, GQ appearance and gloves-off boisterousness concealed deep-rooted mental depression and chemical dependency.
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store rating : 3.43		Only $10.38
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Gentlemen (33 1/3)

Gentlemen (33 1/3)


Like no record before or since, Gentlemen is fraught with the psychological warfare, bedroom drama, Catholic guilt, reprehensible deception, and shame that coincide with relationships gone seriously wrong. Its seemingly thick skin is rife with argument, infection, claustrophobia, temptation, accusation, illness, addiction, blood, scourge, and spite. And then there's the music. Singer Greg Dulli's liquor-cabinet confessions are chased with some of the blackest-sounding rock ever committed to tape by a white band. Hopped-up on primal energy, the mesmerizing R&B, funk, slide-blues, garage, and chamber-pop strains are tied to a come-hither soulfulness perfumed with hyssop and stained with nicotine. To this day, Gentlemen remains as cursed as its controversial narrator, an album out of time even in its time. Released in October 1993, when grunge ruled the world, it sold far less than works by most "alternative" bands of the day. Despite glowing reviews and feverish tour support, Gentlemen faded from view--and yet it remains dearly beloved to almost everyone who's heard it. Drawing on new, in-depth interviews with all of the band members, Bob Gendron dissects the record's charisma, arrangements and lyrics. He also delves into the memories, histories, experiences and influences of the Afghan Whigs, most notably those driving Dulli, a polarizing frontman whose fierce pretentiousness, GQ appearance and gloves-off boisterousness concealed deep-rooted mental depression and chemical dependency.
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store rating : 2.75		Only $8.44
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3D Vol. 1

"3D" Vol. 1


Donald Harrison Jr., 3D: Volume One (FOMP Records) Featuring: Eddie Palmieri - Piano Chris Botti - Trumpet Chuck Loeb - Guitar On 3D: Volume I, Harrison finds the perfect balance of “smooth jazz” mixed with R&B to create music you can chill with or get up and dance to. He produced all 12 songs as well as played most of the instruments. On Chillin' At The Penthouse," Harrison played every instrument. Early in is multi-faceted career, when Donald Harrison was holding down the saxophone chair in the top-notch touring band of Lena Horne, the veteran star of stage and screen gave her young accompanist the nickname “Cool Breeze.” Several years later, Harrison recorded a “smooth jazz” classic on the CTI record label called The Power of Cool that earned him high accolades and a considerable amount of play time on contemporary adult radio all around the country. Over the years, he’s also worked with many of the pioneers working on the frontiers of rhythmically propelled jazz and jazz-driven R&B, among them: the great drummer and bandleader Art Blakey; keyboard magician McCoy Tyner; funk astronauts The Headhunters; the legendary Miles Davis; bassman extraordinaire Ron Carter; drumming iconclast Billy Cobham; hip-hop innovators Digable Planets, and The Notorius BIG; jazz-guitar explorer Larry Coryell; and pop-blues chanteuse Jennifer Holiday. Now the “cool” side of Donald Harrison is back with a high-powered synthesis of jazz intonations, R&B syncopations, and a solid funk feeling you can’t possibly miss. Blowing like a strong Gulf Coast breeze, the New Orleans born-and-bred saxophonist sails his majestic sound over sunset waters swelled by contributions from a multitude of friends and musical collaborators, including salsa maestro Eddie Palmieri, trumpet sensation Chris Botti, and smooth-jazz guitarist and in-demand producer Chuck Loeb, among many others. Begun pre-Katrina, 3D: Volume One was completed in studios all around the country with the much-appreciated support of musicians, studios, friends, and family. Its journey to fruition marks a genuine triumph of the human spirit. And its music is a perfect blend of mellow sounds and percolating beats, setting the stage for a little “Soul to Soul” dancing or maybe just some “Chillin’ at the Penthouse.” Either way, this “cool breeze” of contemporary adult jazz is guaranteed to take you on a soulful and relaxing journey ... So settle back, and enjoy!
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store rating : 3.43		Only $20.79
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Guided by Voices' Bee Thousand (33 1/3)

Guided by Voices' Bee Thousand (33 1/3)


Marc Woodworth's book covers the album's long and unorthodox period of writing, recording, sequencing, and editing. It includes interviews with members of the band, manager Pete Jamison, web-master and GBV historian Rich Turiel and Robert Griffin of Scat Records. At least sixty-five songs were recorded and considered for the album and five distinct concepts were rejected before the band hit upon the records final form. One late version, very nearly released, contained only a few of Bee Thousand's definitive songs. The rest were left out and nearly ended up in the boxes of cassette out-takes cluttering up Robert Pollard's basement. The story of Guided By Voices transformation from an occasional and revolving group of complete unknowns to indie-rock heroes is very much part of the story behind the making of Bee Thousand. In addition to providing a central account of how the record was made, Woodworth devotes a substantial chapter to the album's lyrics. Robert Pollard's lyrics are described by critics, when they're described at all, as a brand of tossed-off surrealism, as if his verbal sensibility is somehow incidental to the songs themselves. Nothing could be further from the truth. Woodworth offers a sustained discussion of Pollard's work as a writer of often sublime, beautiful, and very human lyrics. The third key section of the book covers aesthetics. Woodworth considers the great appeal of the do-it-yourself nature of Bee Thousand and reflects on the larger importance of the strain of alternative rock for which this record is a touchstone.
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store rating : 2.75		Only $5.71
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Long Play Record

Long Play Record


Release Date: 2009-12-08, Audio CD, CDBY
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store rating : 3.43		Only $20.79
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33 1/3

33 1/3


Release Date: 2004-05-11, Audio CD, Sin-Drome Records
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store rating : 2.75		Only $9.93
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33 1/3

33 1/3


Release Date: 2004-05-11, Audio CD, Sin-Drome Records
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store rating : 3.43		Only $15.55
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33 1/3

33 1/3


Japanese version for the Beatle collector.Track listings are the same as the USA edition.
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store rating : 3.43		Only $43.19
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33 1/3

33 1/3


Release Date: 1991-06-25, Audio CD, Warner Bros / Wea
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store rating : 2.75		Only $34.34
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33 1/3

33 1/3


Release Date: 2000-10-31, Audio CD, Bmg Int'l
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store rating : 3.43		Only $17.42
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33 1/3

33 1/3


Release Date: 2005-07-21, Audio CD, Jvc Japan
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store rating : 3.43		Only $48.00
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The Ramones' Ramones (33 1/3)

The Ramones' Ramones (33 1/3)


Thirty-Three and a Third is a series of short books about critically acclaimed and much-loved albums of the past 40 years. Over 50,000 copies have been sold! “Passionate, obsessive, and smart.” —Nylon “…an inspired new series of short books about beloved works of vinyl.” —Details Nicholas Rombes is an English professor at the University of Detroit Mercy, where he teaches and writes about film, music, and pop culture. His writing has appeared in a range of journals and magazines, including Exquisite Corpse (edited by Andrei Codrescu) and McSweeney’s. He is also the editor of the forthcoming book Post-Punk Cinema. Description What could be more punk rock than a band that never changed, a band that for decades punched out three-minute powerhouses in the style that made them famous? The Ramones’ repetition and attitude inspired a genre, and Ramones set its tone. Nicholas Rombes examines punk history, with the recording of Ramones at its core, in this inspiring and thoroughly researched justification of his obsession with the album. Excerpt: When I sat down to write about the album’s opening song, “Blitzkreig Bop,” my first line was “This is the best opening song to any rock album.” Then I decided that sounded too creepily fanatic and more than a little disingenuous, since I haven't heard every rock album ever made, and I took it out. But then I went downstairs to the turntable and played it and midway through ran back upstairs and put the line back in even before the screensaver clicked in. Here’s why: “Blitzkrieg Bop” succeeds not only as a song in its own right, but also as a promise kept. The songs that follow live up to the speed, humor, menace, absurdity, and mystery of that first song, whose opening lines “Hey ho, let's go” offer not so much a warning as an invitation to the listener, an invitation and a threat that the song isn’t a fluke or a one-off, but that it sets the stage for an entire album that will be fast and loud.>
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store rating : 2.75		Only $5.91
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The Beatles' Let It Be (33 1/3 series)

The Beatles' Let It Be (33 1/3 series)


The recording sessions for Let It Be were actually begun as rehearsals for a proposed return to live stage work for the Beatles, to be inaugurated in a concert at a Roman amphitheatre in Tunisia. Here, Steve Matteo delves deep into the complex history of these recording sessions. He talks to many of the people involved in the recording of these songs, and the accompanying documentary. And he also looks at the Spector-less version of the album released in 2003. 33 1/3 is a series of short books about critically acclaimed and much-loved albums of the last 40 years. Focusing on one album rather than an artist's entire output, the books dispense with the standard biographical background that fans know already, and cut to the heart of the music on each album. The authors provide fresh, original perspectives, often through their access to and relationships with the key figures involved in the recording of these albums. By turns obsessive, passionate, creative, and informed, the books in this series demonstrate many different ways of writing about music. (A task that can be, as Elvis Costello famously observed, as tricky as dancing about architecture.) What binds this series together, and what brings it to life, is that all of the authors - musicians, scholars, and writers - are deeply in love with the album they have chosen. Previous titles in this now well-established series have beaten sales expectations and received excellent review coverage - the third batch is sure to continue this success. More titles follow in the spring of 2005.
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store rating : 2.75		Only $7.23
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Loving You [Long Play]

Loving You [Long Play]


One of Elvis's Earliest records, an Original pressing. Strip below title says: "Songs from Hal Wallis Production 'Loving You' A Paramount Picture in Technicolor and Vistavison." A "New Orthophonic" High Fidelity Recording, Long Play record (sound equivalent monaural), RCA Victor LPM1515. Printed in the USA, RCA Records, Radio Corporation of America printed in 1957.
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store rating : 2.75		Only $22.95
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Pavement's Wowee Zowee (33 1/3)

Pavement's Wowee Zowee (33 1/3)


Pavement wrapped up at Easley Recording in Memphis. They mixed the tracks and recorded overdubs in New York. They took a step back and assessed the material. It was a wild scene. They had fully fleshed-out songs and whispers and rumors of half-formed ones. They had songs that followed a hard-to-gauge internal logic, sometimes drifting into the ether or flying totally off the rails, sometimes achieving an unlikely resolution. They had punk tunes and country tunes and sad tunes and funny ones. They had fuzzy pop and angular new wave. They had raunchy guitar solos and stoner blues. They had pristine jangle and pedal steel. The final track list ran to eighteen songs and filled three sides of vinyl. The record's title was a nod to their former drummer. He'd say wowee zowee when something blew his mind. Released in 1995, on the heels of two instant classics, Wowee Zowee confounded Pavement's audience and took the shine off their status as can't-lose critics darlings. Yet the record has grown in stature and many diehard fans now consider it Pavement's best. Weaving personal history and reporting including extensive new interviews with the band Bryan Charles goes searching for the story behind the record and finds a piece of art as elusive, anarchic and transportive now as it was then.
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store rating : 3.43		Only $12.95
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Fleetwood Mac's Tusk (33 1/3)

Fleetwood Mac's Tusk (33 1/3)


After Rumours became the best-selling single album of all-time, Fleetwood Mac asked Warner Brothers Records to buy them a studio (the label refused, costing both Warner Brothers and the band significant cash in the long run) and then handed the reins to their guitarist and resident perfectionist Lindsey Buckingham, a fusion of factors that led Tusk to become the first record in history to cross the million dollar threshold in production costs. You know, Buckingham told me, we had this ridiculous success with Rumours. And at some point, at least in my perception, the success of that detached from the music, and it was more about the phenomenon. We were poised to do another album, and I guess because the axiom If it works, run it into the ground was prevalent then, we were probably poised to do Rumours II. I don t know how you do that, but somehow my light bulb that went off was, Let s just not do that. Let s very pointedly not do that. Here, Rob Trucks talks to Lindsey Buckingham, as well as members of Animal Collective, Camper Van Beethoven, the New Pornographers, Wolf Parade, the Fleetwood Mac tribute band Tusk and the USC Trojan marching band in order to chart both the story and the impact of an album born of personal obsession and a stubborn unwillingness to compromise.
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store rating : 2.75		Only $7.32
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Nirvana's in Utero (33 1/3)

Nirvana's in Utero (33 1/3)


Though Nevermind was Nirvana's most commercially successful album, and the record that broke them — and the grunge phenomenon — internationally, In Utero has increasingly become regarded as the band's best album, both by the critics and the band members themselves. Instead of sticking to the "grunge pop" formula that made Nevermind so palatable to the mainstream, Nirvana chose instead to challenge their audience, producing an album that the band's creative force, Kurt Cobain, said truly matched his vision of what he had always wanted his band to sound like. Here, the full story behind the creation of In Utero is told for the first time.
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store rating : 3.43		Only $10.17
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33 1/3 Grand Street by Mark Geary

33 1/3 Grand Street by Mark Geary


Sonablast more		 $1.59 - $1.59
from 1 stores
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1-2-3-4 by Muck And The Mires

1-2-3-4 by Muck And The Mires


Dionysus Records ( September 12, 2006 ), Genre: Rock & Pop more		 $6.32 - $6.32
from 1 stores
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3 and 1 by Dave Peck

3 and 1 by Dave Peck


Let's Play Stella Records ( July 12, 2005 ), Genre: Jazz Instrument more		 $9.60 - $16.84
from 2 stores
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