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Blaze: A Novel

Blaze: A Novel


Once upon a time, a fellow named Richard Bachman wrote Blaze on an Olivetti typewriter, then turned the machine over to Stephen King, who used it to write Carrie. Bachman died in 1985 ("cancer of the pseudonym"), but this last gripping Bachman novel resurfaced after being hidden away for decades -- an unforgettable crime story tinged with sadness and suspense. Clayton Blaisdell, Jr., was always a small-time delinquent. None too bright either, thanks to the beatings he got as a kid. Then Blaze met George Rackley, a seasoned pro with a hundred cons and one big idea. The kidnapping should go off without a hitch, with George as the brains behind their dangerous scheme. But there's only one problem: by the time the deal goes down, Blaze's partner in crime is dead. Or is he? Includes a previously uncollected story, "Memory" -- the riveting opening to Stephen King's new Scribner hardcover novel, Duma Key.
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The Mac Is Not A Typewriter: A Style Manual For Creatin

The Mac Is Not A Typewriter: A Style Manual For Creatin


One of the most popular Macintosh books ever written, The Mac is not a typewriter has been called the "Strunk and White of typography." Best-selling author Robin Williams's simple, logical principles for using type to produce beautiful, professional documents are as true now as they were when the original edition was published in 1989. This updated edition includes new examples and expanded information dedicated to the practical advice that made the first edition an enduring bestseller. Throughout, Robin shows you the small details that separate the pros from the amateurs: typographer versus typewriter quotation marks, en and em dashes, tabs and indents, kerning, leading, white space, widows and orphans, and hanging punctuation. If you prepare documents, you'll find The Mac is not a typewriter, Second Edition an indispensable guide. And those who read your documents will recognize the work of a pro, even if they don't know a curly quote from curly fries.
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My Mama Said By Lee Easton Jr

My Mama Said By Lee Easton Jr


Store Search search Title, ISBN and Author My Mama Said by Lee Easton Jr Estimated delivery 3-12 business days Format Paperback Condition Brand New My mama used to keep a piece of stationery in her typewriter and whenever she would have a thought or remembrance she would go to her typewriter and type it out. I can remember as a small child and on through my youth that Mama would go and type something Publisher Description My mama used to keep a piece of stationery in her typewriter and whenever
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Smoking Typewriters: The Sixties Underground Press and the Rise of Alternative Media in America

Smoking Typewriters: The Sixties Underground Press and the Rise of Alternative Media in America


How did the New Left uprising of the 1960s happen? What caused millions of young people-many of them affluent and college educated-to suddenly decide that American society needed to be completely overhauled? In Smoking Typewriters, historian John McMillian shows that one answer to these questions can be found in the emergence of a dynamic underground press in the 1960s. Following the lead of papers like the Los Angeles Free Press, the East Village Other, and the Berkeley Barb, young people across the country launched hundreds of mimeographed pamphlets and flyers, small press magazines, and underground newspapers. New, cheaper printing technologies democratized the publishing process and by the decade's end the combined circulation of underground papers stretched into the millions. Though not technically illegal, these papers were often genuinely subversive, and many of those who produced and sold them-on street-corners, at poetry readings, gallery openings, and coffeehouses-became targets of harassment from local and federal authorities. With writers who actively participated in the events they described, underground newspapers captured the zeitgeist of the '60s, speaking directly to their readers, and reflecting and magnifying the spirit of cultural and political protest. McMillian pays special attention to the ways underground newspapers fostered a sense of community and played a vital role in shaping the New Left's highly democratic "movement culture."Deeply researched and eloquently written, Smoking Typewriters captures all the youthful idealism and vibrant tumult of the 1960s as it delivers a brilliant reappraisal of the origins and development of the New Left rebellion.
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Monkeys With Typewriters: Myths and realities of social media at work

Monkeys With Typewriters: Myths and realities of social media at work


The Internet is a creative destroyer which, positively or negatively, has had a significant impact in every sector of industry - shrinking value chains, removing barriers to entry, disrupting business models, slashing transaction costs... MONKEYS WITH TYPEWRITERS thoroughly debunks the idea that social media are an amateurish distraction for today's organisations. It addresses their true impact on the workplace, asking: What new concepts and values are being introduced? How is executive power being eroded? What are the risks and benefits of increasingly open systems? What can managers do to ensure a smooth transition to a more innovative, collaborative working environment? The book is distilled from interviews with more than 50 thought leaders in the social web: executives at Google, Yahoo and Salesforce; developers at MySpace and Microsoft; and web pioneers like Tim O'Reilly and Craig Newmark. It is packed with insights from CEOs of small, savvy start-ups, as well as lessons from senior staff from multinationals like British Telecom, Ford, IBM and Shell. MONKEYS WITH TYPEWRITERS identifies key behaviours in social media and relates these to current business practice. These behaviours are proposed as a practical framework, which can be actively applied to create happier, more productive organisations. The comprehensive glossary of social media terms will be useful to social media novices and experienced users alike. 'A timely and thoughtful reflection on how the social web is developing in London, both online and off' - Lloyd Davis, Founder, Tuttle Club 'Great insights into past and present notions of what it takes to be a leader' - David Wilcox, Social Reporter 'Jemima's book captures the Zeitgeist' - Joanne Jacobs, Social Media Expert Consultant
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Smoking Typewriters: The Sixties Underground Press And

Smoking Typewriters: The Sixties Underground Press And


How did the New Left uprising of the 1960s happen? What caused millions of young people--many of them affluent and college educated--to suddenly decide that American society needed to be completely overhauled? In Smoking Typewriters, historian John McMillian shows that one answer to these questions can be found in the emergence of a dynamic underground press in the 1960s. Following the lead of papers like the Los Angeles Free Press, the East Village Other, and the Berkeley Barb, young people across the country launched hundreds of mimeographed pamphlets and flyers, small press magazines, and underground newspapers. New and cheap printing technologies had democratized the publishing process, and by the decade's end the combined circulation of underground papers stretched into the millions. Though not technically illegal, these papers were often genuinely subversive, and many who produced and sold them--on street-corners, at poetry readings, gallery openings, and coffeeho
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The Mac is Not a Typewriter by Robin Williams

The Mac is Not a Typewriter by Robin Williams


Free Worldwide Delivery : The Mac is Not a Typewriter : Paperback : Pearson Education (US) : 9780201782639 : 0201782634 : 01 May 2003 : Appropriate for introductory courses on print publishing, desktop publishing, typography, or document production, this book provides students with simple, logical principles for using type to produce professional documents. Some of the topics include: real vs. generic quotation marks, the correct use of en and em dashes, tabs, indents, and more.
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Tourists with Typewriters: Critical Reflections on Contemporary Travel Writing

Tourists with Typewriters: Critical Reflections on Contemporary Travel Writing


The first extensive survey of contemporary travel writing, Tourists with Typewriters offers a series of challenging and provocative critical insights into a wide range of travel narratives written in English after the Second World War. The book focuses in particular on contemporary travel writers such as Jan Morris, Peter Matthiessen, V. S. Naipaul, Barry Lopez, Mary Morris, Paul Theroux, Peter Mayle, and the late Bruce Chatwin. It examines some of the reasons for travel writing's enduring popularity, and for its particular appeal to readers--many of them also travelers--in the present.The book maps new terrain in a growing area of critical study. Although critical of travel writing's complacency and its often unacknowledged ethnocentrism, the book recognizes its importance as both a literary and cultural form. While travel writing at its worst emerges as a crude expression of economic advantage, at its best it becomes a subtle instrument of cultural self-perception, a barometer for changing views of "other" (i.e., foreign, non-Western) cultures, and a trigger for the information circuits that tap us into the wider world.Tourists with Typewriters gauges both the best and worst in contemporary travel writing, capturing the excitement of this most volatile--and at times infuriating--of literary genres. The book will appeal to general readers interested in a closer examination of travel writing and to academic readers in disciplines such as literary/cultural studies, geography, history, anthropology, and tourism studies."An eminently readable and informative study. It breathes tolerance and intelligence. It is critically perceptive and very au courant. It raises issues (coloniality, postmodernity, gender. . . ) and discusses books that readers of many different stripes will want to find out about." --Ross Chambers, University of MichiganPatrick Holland, Associate Professor of English, University of Guelph, was born in New Zealand and educated in England, Australia, and Canada. Graham Huggan, Professor of English, University of Munich, was born in Hong Kong and educated in England and in British Columbia.
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Beyond The Typewriter By Sharon Hartman Strom

Beyond The Typewriter By Sharon Hartman Strom


By World War I, managers wanted young women with some high school education for new "light manufacturing" jobs in the office. Women could be paid significantly less than men with equivalent educations and the "marriage bar"--the practice of not hiring or retaining married women--ensured that most of them would leave the workplace before the issue of higher salaries arose. Encouraged by free training gained in high schools and by working conditions better than those available in factories, young working-class women sought out office jobs. Facing sexual discrimination in most of the professions and higher-level office jobs, middle-class women often found themselves "falling into" clerical positions. Sharon Hartman Strom details office working conditions and practices, drawing upon archival and anecdotal data. She analyzes women office-workers' ambitions and explores how the influences of scientific management, personnel management, and secondary vocational education affected office workplaces and hierarchies. S
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Mechanical Typewriters: Their History, Value, and Legacy

Mechanical Typewriters: Their History, Value, and Legacy


A fascinating and scholarly look at the machines that revolutionized office communication from the nineteenth and twentieth centuries. Nearly 700 color photographs display mechanical typewriters produced by Adler, American, Corona, Grundka, Hall, Monarch, Remington, Royal, Smith Corona, and many others. An overview of the historical development of the typewriter includes patents and brief histories of the manufacturers. Additionally, a detailed bibliography, index, and current market values in the captions are also provided. Set designers, historians, and typewriter collectors will learn how technical developments changed the designs through the decades.
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The Typewriter Is Holy by Bill Morgan

The Typewriter Is Holy by Bill Morgan


Free Worldwide Delivery : The Typewriter Is Holy : Paperback : Counterpoint,U.S. : 9781582437385 : 1582437386 : 19 May 2011 : Anyone who cares to understand the cultural ferment of America in the later twentieth century must know of the writings and lives of those scruffy bohemians known as the Beats. In this highly entertaining work, Bill Morgan, the country's leading authority on the movement and a man who personally knew most of the Beat writers, narrates their history, tracing their origins in the 1940s to their inf
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Gramophone, Film, Typewriter (Writing Science)

Gramophone, Film, Typewriter (Writing Science)


Toward the end of the nineteenth century, the hegemony of the printed word was shattered by the arrival of new media technologies that offered novel ways of communicating and storing data. Previously, writing had operated by way of symbolic mediation—all data had to pass through the needle’s eye of the written signifier—but phonography, photography, and cinematography stored physical effects of the real in the shape of sound waves and light. The entire question of referentiality had to be recast in light of these new media technologies; in addition, the use of the typewriter changed the perception of writing from that of a unique expression of a literate individual to that of a sequence of naked material signifiers.Part technological history of the emergent new media in the late nineteenth century, part theoretical discussion of the responses to these media—including texts by Rilke, Kafka, and Heidegger, as well as elaborations by Edison, Bell, Turing, and other innovators—Gramophone, Film, Typewriter analyzes this momentous shift using insights from the work of Foucault, Lacan, and McLuhan. Fusing discourse analysis, structuralist psychoanalysis, and media theory, the author adds a vital historical dimension to the current debates over the relationship between electronic literacy and poststructuralism, and the extent to which we are constituted by our technologies. The book ties the establishment of new discursive practices to the introduction of new media technologies, and it shows how both determine the ways in which psychoanalysis conceives of the psychic apparatus in terms of information machines.Gramophone, Film, Typewriter is, among other things, a continuation as well as a detailed elaboration of the second part of the author’s Discourse Networks, 1800/1900 (Stanford, 1990). As such, it bridges the gap between Kittler’s discourse analysis of the 1980’s and his increasingly computer-oriented work of the 1990’s.
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Antique Typewriters: From Creed to QWERTY

Antique Typewriters: From Creed to QWERTY


Since 1973 Michael Adler's first book, The Writing Machine, has been affectionately called "the bible of the typewriter enthusiast." The renowned typewriter expert's new book, is sure to stimulate the same enthusiasm all over again, bringing you new and as yet unpublished insights into the origins of the invention itself in a detailed history of the machine. Over 250 photographs illustrate this definitive text, which includes comprehensive directories of typewriter inventions, makes, and models, and a concise guide to their values with advice on buying and collecting. How much? When? Where? How good? How rare? Who? Why? If you are looking for answers to any or all of these questions, Antique Typewriters is the ultimate reference book for you - from the novice typewriter collector to "seasoned old hand" enthusiasts and historians.
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Mac is not a typewriter, The (2nd Edition)

Mac is not a typewriter, The (2nd Edition)


One of the most popular Macintosh books ever written, The Mac is not a typewriter has been called the "Strunk and White of typography." Best-selling author Robin Williams's simple, logical principles for using type to produce beautiful, professional documents are as true now as they were when the original edition was published in 1989. This updated edition includes new examples and expanded information dedicated to the practical advice that made the first edition an enduring bestseller. Throughout, Robin shows you the small details that separate the pros from the amateurs: typographer versus typewriter quotation marks, en and em dashes, tabs and indents, kerning, leading, white space, widows and orphans, and hanging punctuation. If you prepare documents, you'll find The Mac is not a typewriter, Second Edition an indispensable guide. And those who read your documents will recognize the work of a pro, even if they don't know a curly quote from curly fries.
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The Typewriter: An Illustrated HIstory (Dover Pictorial Archive Series)

The Typewriter: An Illustrated HIstory (Dover Pictorial Archive Series)


This very rare volume rescues the typewriter from historic neglect. It ranges from the 1829 Burt Machine, the first to be issued a patent, to more streamlined 20th century models. Over 280 different varieties include the Yu Ess, Dactygam, Dollar, Ford, Hammond, Oliver, Remington, L. C. Smith, and Underwood. 165 halftones, 95 line illustrations.
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The Typewriter Sketchbook

The Typewriter Sketchbook


A collection of richly illustrated articles relating to the early history of the typewriter (1870-1920). With biographies of great American inventors like James B. Hammond, Frank Lambert (who also invented a water meter and talking clock) and Louis Cantelo. Pictorial chapters on the history of office work, related to 19th Century mechanization. The book provides many hours of happy browsing and a wealth of information relating to the earliest days of the typewriter and the rise of women in the office. Some articles were previously published in the Virtual Typewriter Journal (2004-2006). Re-published after editing and with more photos.
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The Typewriter Is Holy: The Complete, Uncensored History of the Beat Generation

The Typewriter Is Holy: The Complete, Uncensored History of the Beat Generation


Anyone who cares to understand the literary and cultural ferment of America in the later twentieth century must be familiar with the writings and lives of those scruffy bohemians known as the Beat Generation.In this highly entertaining work, Bill Morgan, the country’s leading authority on the movement and a man who personally knew most of the Beats, narrates the history of these writers as primarily a social group of friends, tracing their origins together during the World War II years to the full blossoming of their notoriety in the late 1950s to their profound influence on the social upheaval of the 1960s. Indeed, it is impossible to comprehend the sixties without first grasping the importance of the social ripples set in motion by the Beats a decade earlier.Although their prose and poetry varied in style and for the most part did not represent a genuine literary movement, the Beats, through their words and nonconformist lives, collectively posed a challenge to the staid and complacent America of the postwar years. They believed in free expression, opposing all censorship; they dabbled in free love; they practiced Eastern philosophy, leading to an embrace in America of alternative forms of spirituality; sooner than others, they watched with dismay the increasingly heavy hand of military and corporate culture in our national life; they embraced the aspirations, as well as the lingo, of urbanized black Americans. They believed in the liberating influence of hallucinogenic drugs.In short, the Beats were thoroughly American in their love of individual freedom. Perhaps it should come as no surprise that J. Edgar Hoover described them in 1960 as one of the three greatest threats to American security (after communism and intellectual "eggheads").The story that Bill Morgan tells has less to do with sociology than with social mingling. He traces the closely knit friendships of the Beat luminaries Allen Ginsberg, Jack Kerouac, William S. Burroughs, and the small army of other names. Although Kerouac, author of the much loved novel On the Road, was the most famous of the Beat writers, it was Ginsberg, Morgan contends, who resided at the center of the group and for more than two decades provided it with cohesion and a sense of direction.The Beats were not saints. They were sexually irresponsible, undependable in marriage (the movement could in fact fairly be described as misogynistic); they did too many drugs and consumed too much booze; the very quality that characterized their lives and writings—a fervent belief in spontaneity—destroyed some friendships. Indeed, Morgan’s story begins with a murder in New York’s Riverside Park in 1944.Bill Morgan has provided a sweeping, indispensable story about these discontented free spirits. We watch their peripatetic lives, their sexual misadventures, their ambivalent response to fame. We are reminded above all that while their personal lives may have not have been holy, their typewriters and their lasting words very much were. 
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Gramophone, Film, Typewriter by Friedrich Kittler

Gramophone, Film, Typewriter by Friedrich Kittler


Free Worldwide Delivery : Gramophone, Film, Typewriter : Paperback : Stanford University Press : 9780804732338 : 0804732337 : 31 Jul 1999 : Part technological history of the emergent new media in the late 19th century, part theoretical discussion of the responses to these media--including texts by Rilke, Kafka, and Heidegger, as well as elaborations by Edison, Bell, Turing, and other innovators--this book analyzes this momentous shift using insights from Foucault, Lacan, and McLuhan.
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The Typewriter Is Holy - Bill Morgan (hardcover)

The Typewriter Is Holy - Bill Morgan (hardcover)


A narrative account chronicles the lives of key contributors while offering insight into their lasting influence, featuring coverage of the stories surrounding such publications as Allen Ginsberg's Howl and Other Poems and Jack Kerouac's On the Road.
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Mac is not a typewriter, The (2nd Edition)

Mac is not a typewriter, The (2nd Edition)


One of the most popular Macintosh books ever written, The Mac is not a typewriter has been called the "Strunk and White of typography." Best-selling author Robin Williams's simple, logical principles for using type to produce beautiful, professional documents are as true now as they were when the original edition was published in 1989. This updated edition includes new examples and expanded information dedicated to the practical advice that made the first edition an enduring bestseller. Throughout, Robin shows you the small details that separate the pros from the amateurs: typographer versus typewriter quotation marks, en and em dashes, tabs and indents, kerning, leading, white space, widows and orphans, and hanging punctuation. If you prepare documents, you'll find The Mac is not a typewriter, Second Edition an indispensable guide. And those who read your documents will recognize the work of a pro, even if they don't know a curly quote from curly fries.
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