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How to See a Work of Art in Total Darkness

How to See a Work of Art in Total Darkness


Work by black artists today is almost uniformly understood in terms of its "blackness," with audiences often expecting or requiring it to "represent" the race. In How to See a Work of Art in Total Darkness, Darby English shows how severely such expectations limit the scope of our knowledge about this work and how different it looks when approached on its own terms. Refusing to grant racial blackness--his metaphorical "total darkness"--primacy over his subjects' other concerns and contexts, he brings to light problems and possibilities that arise when questions of artistic priority and freedom come into contact, or even conflict, with those of cultural obligation. English examines the integrative and interdisciplinary strategies of five contemporary artists--Kara Walker, Fred Wilson, Isaac Julien, Glenn Ligon, and William Pope.L--stressing the ways in which this work at once reflects and alters our view of its informing context: the advent of postmodernity in late twentieth-century American art and culture.The necessity for "black art" comes both from antiblack racism and resistances to it, from both segregation and efforts to imagine an autonomous domain of black culture. Yet to judge by the work of many contemporary practitioners, English writes, black art is increasingly less able--and black artists less willing--to maintain its standing as a realm apart. Through close examinations of Walker's controversial silhouettes' insubordinate reply to pictorial tradition, Wilson's and Julien's distinct approaches to institutional critique, Ligon's text paintings' struggle with modernisms, and Pope.L's vexing performance interventions, English grounds his contention that to understand this work is to displace race from its central location in our interpretation and to grant right of way to the work's historical, cultural, and aesthetic specificity.
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How A Master Works

How A Master Works


In 1948 a middle-aged American woman in proper shoes and hat, stepped off an airplane into the exotic land of India to keep an appointment that would alter her life forever. When she arrived in Bombay that year, Ivy O. Duce was 52 years old and she had been seeking answers through most of a very extraordinary life. Breaking through cultural constraints of her time, she had pursued careers in such varied fields as singing, law, and publishing. Now, as wife to an internationally renowned business executive, she had served as hostess to some of the world's most eminent political and business leaders. But while living a full worldly life, she has also been searching for spiritual truth. After years of exploring the occult and mysticism she had eventually joined a school based on the ancient mystic path of Sufism. Her teacher had expressed a conviction that a spiritual teacher in India named Meher Baba was a Perfect Master. On that day in Bombay, Mrs. Duce was on her way to see this Meher Baba. She was a no nonsense woman with a charming manner, a tough mind, and a passion for honesty. And there were a few things she wanted to get straight. Thus began the remarkable twenty year relationship between Ivy O. Duce and the spiritual Master Meher Baba, a relationship unparalleled in spiritual history. When Mrs. Duce, in her fashionable dress and neatly coiffed hair sat before Meher Baba in his white cotton sadhra and flowing tressses, worlds converged. East and West. Master and student. Divine and worldly. In How A Master Works, Mrs. Duce leaves us an inspiring record of their relationship through all its many twists and turns, as the Master forged not just a student, but a teacher. For she had already been appointed by the Murshida (teacher) of her Sufi Order as her successor. Mrs. Duce felt unqualified - physically incapable and spiritually inadequate. It was her hope that Meher Baba, if he was a Perfect Master, could clear this matter up. And so he did. Ivy Duce was so overcome by the bliss radiating from Meher Baba that she burst into tears, instantly convinced that the being before her was the embodiment of Godhood. From that moment on, she was both a devoted lover and an instrument to be re-shaped by a master's dexterous hand and boundless love. In a riveting journey on the "razor's edge," the reader joins Mrs. Duce as she discovers the meaning of true discipleship and the secrets of spiritual growth. "Do you think," she asks "that when you have the privilege of seeing the Master you are going to sail into a blue lagoon and just sit at his feet in rapture and contentment? The Master is the master surgeon. He has to operate on all your faults and weaknesses." That imaginary blue lagoon was more like a storm battered sea, as the Master hammered lovingly but relentlessly at her illusions. She in turn was expected to be one hundred percent obedient, no matter what the difficulties. Difficulties she had aplenty. Parts of the book read like a cosmic screwball comedy, as the delicate fabric of Murshida Duce's life steadily unravels around her. "Serving a Master turns out to be very much like getting married. Couples survive hair-raising tragedies together but they can become almost demented over such trifles as how the eggs should be cooked." There are mishaps and misadventures that tested every aspect of her character. Machines and communications break down. But her patience grows. Illnesses and ailments descend. But her strength rises. There are personality conflicts, feelings of rejection, and humiliation, followed by deeper humility. The Master makes plans, changes, cancels and reinstates them. And she becomes only more flexible. Dreams are shattered; loved ones die. Detachment and faith are born. And through it all, the Master demands cheerfulness. "People take life seriously and God lightly;" he says, "whereas we must take God seriously and life lightly." How A Master Works is the chronological story of one wo
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How Love Works By A.m.

How Love Works By A.m.


Store Search search Title, ISBN and Author How Love Works by A.M. Estimated delivery 3-12 business days Format Paperback Condition Brand New Details ISBN 1438961030 ISBN-13 9781438961033 Title How Love Works Author A.M. Format Paperback Year 2009 Pages 132 Publisher Authorhouse Dimensions 5 in. x 0.3 in. x 8 in. About Us Grand Eagle Retail is the ideal place for all your reading and entertainment needs! With fast shipping, low prices, friendly service and over 1,000,000 in stock books, CDs and
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A Project Guide To Ux Design: For User Experience Desig

A Project Guide To Ux Design: For User Experience Desig


“If you are a young designer entering or contemplating entering the UX field this is a canonical book. If you are an organization that really needs to start grokking UX this book is also for you. "  -- Chris Bernard, User Experience Evangelist, MicrosoftUser experience design is the discipline of creating a useful and usable Web site or application—one that’s easily navigated and meets the needs of both the site owner and its users. But there’s a lot more to successful UX design than knowing the latest Web technologies or design trends: It takes diplomacy, project management skills, and business savvy. That’s where this book comes in. Authors Russ Unger and Carolyn Chandler show you how to integrate UX principles into your project from start to finish.• Understand the various roles in UX design, identify stakeholders, and enlist their support• Obtain consensus from your team on project objectives• Define the scope of your project and av
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How to See a Work of Art in Total Darkness

How to See a Work of Art in Total Darkness


Work by black artists today is almost uniformly understood in terms of its "blackness," with audiences often expecting or requiring it to "represent" the race. In How to See a Work of Art in Total Darkness, Darby English shows how severely such expectations limit the scope of our knowledge about this work and how different it looks when approached on its own terms. Refusing to grant racial blackness--his metaphorical "total darkness"--primacy over his subjects' other concerns and contexts, he brings to light problems and possibilities that arise when questions of artistic priority and freedom come into contact, or even conflict, with those of cultural obligation. English examines the integrative and interdisciplinary strategies of five contemporary artists--Kara Walker, Fred Wilson, Isaac Julien, Glenn Ligon, and William Pope.L--stressing the ways in which this work at once reflects and alters our view of its informing context: the advent of postmodernity in late twentieth-century American art and culture.The necessity for "black art" comes both from antiblack racism and resistances to it, from both segregation and efforts to imagine an autonomous domain of black culture. Yet to judge by the work of many contemporary practitioners, English writes, black art is increasingly less able--and black artists less willing--to maintain its standing as a realm apart. Through close examinations of Walker's controversial silhouettes' insubordinate reply to pictorial tradition, Wilson's and Julien's distinct approaches to institutional critique, Ligon's text paintings' struggle with modernisms, and Pope.L's vexing performance interventions, English grounds his contention that to understand this work is to displace race from its central location in our interpretation and to grant right of way to the work's historical, cultural, and aesthetic specificity.
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A Project Guide To Ux Design: For User Experience Desig

A Project Guide To Ux Design: For User Experience Desig


“If you are a young designer entering or contemplating entering the UX field this is a canonical book. If you are an organization that really needs to start grokking UX this book is also for you. "  -- Chris Bernard, User Experience Evangelist, MicrosoftUser experience design is the discipline of creating a useful and usable Web site or application—one that’s easily navigated and meets the needs of both the site owner and its users. But there’s a lot more to successful UX design than knowing the latest Web technologies or design trends: It takes diplomacy, project management skills, and business savvy. That’s where this book comes in. Authors Russ Unger and Carolyn Chandler show you how to integrate UX principles into your project from start to finish.• Understand the various roles in UX design, identify stakeholders, and enlist their support• Obtain consensus from your team on project objectives• Define the scope of your project and av
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How to Be a Pirate

How to Be a Pirate


Cressida Cowell, author of the quirky and fun children's book How to Train Your Dragon, returns for another triumphant outing featuring a lovable cast of young Vikings in training.....
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How to See a Work of Art in Total Darkness

How to See a Work of Art in Total Darkness


Work by black artists today is almost uniformly understood in terms of its "blackness," with audiences often expecting or requiring it to "represent" the race. In How to See a Work of Art in Total Darkness, Darby English shows how severely such expectations limit the scope of our knowledge about this work and how different it looks when approached on its own terms. Refusing to grant racial blackness--his metaphorical "total darkness"--primacy over his subjects' other concerns and contexts, he brings to light problems and possibilities that arise when questions of artistic priority and freedom come into contact, or even conflict, with those of cultural obligation. English examines the integrative and interdisciplinary strategies of five contemporary artists--Kara Walker, Fred Wilson, Isaac Julien, Glenn Ligon, and William Pope.L--stressing the ways in which this work at once reflects and alters our view of its informing context: the advent of postmodernity in late twentieth-century American art and culture.The necessity for "black art" comes both from antiblack racism and resistances to it, from both segregation and efforts to imagine an autonomous domain of black culture. Yet to judge by the work of many contemporary practitioners, English writes, black art is increasingly less able--and black artists less willing--to maintain its standing as a realm apart. Through close examinations of Walker's controversial silhouettes' insubordinate reply to pictorial tradition, Wilson's and Julien's distinct approaches to institutional critique, Ligon's text paintings' struggle with modernisms, and Pope.L's vexing performance interventions, English grounds his contention that to understand this work is to displace race from its central location in our interpretation and to grant right of way to the work's historical, cultural, and aesthetic specificity.
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How to Catch a Star

How to Catch a Star


Once there was a boy, and that boy loved stars very much. So much so that he decided to catch one of his very own. But how? Waiting for them to grow tired from being up in the sky all night doesn't work. Climbing to the top of the tallest tree? No, not tall enough. The boy has a rocket ship . . . but it is made of paper and doesn't fly well at all. Finally, just when the boy is ready to give up, he learns that sometimes things aren't where, or what, we expect them to be. First-time author/illustrator Oliver Jeffers offers a simple, childlike tale of reaching for the stars, and emerging with a friend. Book: Hardcover | 10.59 x 10.82in | 32 pages | ISBN 9780399242861 | 03 Jun 2004 | Philomel | 3 - 6 years
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Making Innovation Work: How To Manage It, Measure It, A

Making Innovation Work: How To Manage It, Measure It, A


"This is the book I wish I had read thirty years ago. Making Innovation Work is an important resource for leaders who are trying to improve innovation in their organizations. It's crammed with examples and practical ideas that can trigger improvements in innovation, starting tomorrow!" -Lew Platt, Chairman of Boeing, former Chairman and CEO of HP, and former CEO of Kendall-Jackson Wine Estates"Davila, Epstein, and Shelton remind us that even if the end product is rocket science, the process need not be. To the contrary, tried-and-true practices of management, process, metrics, and incentives are all that it takes to let innovation happen consistently." -Andrew Beebe, President, EnergyInnovations"Making Innovation Work is a fresh approach to systematically managing innovation. It integrates the innovation management literature in a way that is insightful, creative, as well as pragmatic. Davila, Epstein, and Shelton have particularly
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How to Name Paint

How to Name Paint


The fascinating art of Name Painting is a recent introduction to the United States. In New York City, where many Name Painters now work, the practice of this art dates back less than 10 years. But in China, where this activity originated, its history is thousands of years old. Although it developed from Chinese calligraphy, Name Painting has completely evolved and now stands alone as a form of art. The colors, the images, the constantly changing nature of Name Painting, and its emphasis on unique expression make it unlike any other kind of artistic creation. If you have ever seen someone name painting, you will always remember the experience. Both children and adults are mesmerized watching the quick, fluid movements of Name Painters painting a person s name with colorful figures and objects, using water-based paints. People of all ages are thrilled to receive a banner with the letters of their name hand painted in a style of this art form. Now everyone can learn how to Name Paint with this book, How to Name Paint, and the kit of supplies from NPA Party Productions. Whether you are a child or an adult, you ll be surprised at how easy and enjoyable Name Painting is. It may become your favorite hobby! This book will help both beginners and more advanced individuals develop and perfect their Name Painting skills. The kit has all the tools you need to make impressive, personalized works of art. Name Paintings have many uses. Give them as gifts to family and friends. Hand them out at parties and special events as party favors and souvenirs. Besides people s names, you can name paint words and sayings. You can also decorate walls with this attractive, vibrant art form. Do you need a sign or want to display a company s name? Try name painting it. Name Paintings will be popular, appreciated, and attract attention, however, you use them. Think up new purposes for this traditional art. Whatever you create, it s sure to be a hit. Although there are wonderful examples of Name Painting art on the pages of this book, you should use this book as a guide to develop your own style of Name Painting. Don t just copy the designs inside. Let your creativity roam free. In Name Painting, your artistic goal should be to express yourself and create works that are uniquely yours.
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How A Master Works

How A Master Works


In 1948 a middle-aged American woman in proper shoes and hat, stepped off an airplane into the exotic land of India to keep an appointment that would alter her life forever. When she arrived in Bombay that year, Ivy O. Duce was 52 years old and she had been seeking answers through most of a very extraordinary life. Breaking through cultural constraints of her time, she had pursued careers in such varied fields as singing, law, and publishing. Now, as wife to an internationally renowned business executive, she had served as hostess to some of the world's most eminent political and business leaders. But while living a full worldly life, she has also been searching for spiritual truth. After years of exploring the occult and mysticism she had eventually joined a school based on the ancient mystic path of Sufism. Her teacher had expressed a conviction that a spiritual teacher in India named Meher Baba was a Perfect Master. On that day in Bombay, Mrs. Duce was on her way to see this Meher Baba. She was a no nonsense woman with a charming manner, a tough mind, and a passion for honesty. And there were a few things she wanted to get straight. Thus began the remarkable twenty year relationship between Ivy O. Duce and the spiritual Master Meher Baba, a relationship unparalleled in spiritual history. When Mrs. Duce, in her fashionable dress and neatly coiffed hair sat before Meher Baba in his white cotton sadhra and flowing tressses, worlds converged. East and West. Master and student. Divine and worldly. In How A Master Works, Mrs. Duce leaves us an inspiring record of their relationship through all its many twists and turns, as the Master forged not just a student, but a teacher. For she had already been appointed by the Murshida (teacher) of her Sufi Order as her successor. Mrs. Duce felt unqualified - physically incapable and spiritually inadequate. It was her hope that Meher Baba, if he was a Perfect Master, could clear this matter up. And so he did. Ivy Duce was so overcome by the bliss radiating from Meher Baba that she burst into tears, instantly convinced that the being before her was the embodiment of Godhood. From that moment on, she was both a devoted lover and an instrument to be re-shaped by a master's dexterous hand and boundless love. In a riveting journey on the "razor's edge," the reader joins Mrs. Duce as she discovers the meaning of true discipleship and the secrets of spiritual growth. "Do you think," she asks "that when you have the privilege of seeing the Master you are going to sail into a blue lagoon and just sit at his feet in rapture and contentment? The Master is the master surgeon. He has to operate on all your faults and weaknesses." That imaginary blue lagoon was more like a storm battered sea, as the Master hammered lovingly but relentlessly at her illusions. She in turn was expected to be one hundred percent obedient, no matter what the difficulties. Difficulties she had aplenty. Parts of the book read like a cosmic screwball comedy, as the delicate fabric of Murshida Duce's life steadily unravels around her. "Serving a Master turns out to be very much like getting married. Couples survive hair-raising tragedies together but they can become almost demented over such trifles as how the eggs should be cooked." There are mishaps and misadventures that tested every aspect of her character. Machines and communications break down. But her patience grows. Illnesses and ailments descend. But her strength rises. There are personality conflicts, feelings of rejection, and humiliation, followed by deeper humility. The Master makes plans, changes, cancels and reinstates them. And she becomes only more flexible. Dreams are shattered; loved ones die. Detachment and faith are born. And through it all, the Master demands cheerfulness. "People take life seriously and God lightly;" he says, "whereas we must take God seriously and life lightly." How A Master Works is the chronological story of one wo
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How to Become a Hindu

How to Become a Hindu


It is amazing to see the influence of Hinduism in the so-called "western world." We may attend a yoga class, see a TV program on reincarnation, talk about karma or even try and meditate but we don't see these things as anymore than individual techniques. So many of our spiritual ideas come from the east--such concepts as the oneness of life, reincarnation, karma and so forth but we generally don't think about their origins. Further, such practises as mantra, meditation and even more obvious, the fire ritual (agni hotra) are taught as individual techniques for wellbeing, yet we still don't seem to get the bigger picture. Strangely, we do not think about this often, we see these practices in isolation and do not consider them as part of a living discrete religious tradition. We even hear of such strange amalgams as Christian Yoga, the use of meditation for business or the value of mantra in a self help seminar and yet do not see any anomaly. In the West we see Christianity, Islam and related Abrahamic religions as offering conversion and yet do not contemplate this option in relation to Hinduism. When we are exposed to the power of its techniques, practises or traditions we seem to experience them in isolation but do not consider the next logical step: conversion. This may be because Hinduism is not evangelical. It does not hawk its faith on street corners or wish to manipulate for converts. It makes conversion hard work and puts demands on the individual before they can enter the faith. It wants informed and reasoned conversions, not quick switches at the high of an emotional presentation. This system of "ethical conversion" is central to "How to become a Hindu." While Subramuniyaswami explains how Hinduism welcomes converts and offers a range of heartfelt and persuasive conversion stories, he emphasizes the need for intelligent, informed and fully consensual conversion. This process involves confronting ones prior religious (or secular) ideological attachments, dealing with them and making an informed separation from them. In the case of previous religious commitments this can include formal dialog with one's prior religious mentors or community and formal release from it. Further to this is the importance of formal entry into a sect of Hinduism including taking a Hindu name, entering a Hindu community and the naming rite. At the same time Subramuniyaswami works to present a realistic view of the worlds religions. Rather than promoting the sugar-coated illusion that all religions are the same, he offers an informed and erudite, but brief, summary of the characteristics of each major religious tradition (and some minor) and their similarities and differences. This way, the potential convert can truly evaluate his or her prejudices, ideological focuses and "baggage," so to speak. Certainly it is powerful to understand before we take a step into a new faith, what we carry with us. It can sometimes be astounding, even a bit frightening, when we confront the beliefs that we have locked away in our own unconscious minds and realize their power. Hinduism is presented in its widest spectrum. Subramuniyaswami outlines its four major traditions Saivism, Saktism, Vaishnaivism and Smarta and discusses each one's characteristics and practises. The power of this text is its broadness. While certainly written by a Saivite, it offers an overview of Hinduism and discusses a conversion method which is valid for entry into any of the traditions. Subramuniyaswami emphasizes the importance of sustaining rather than diminishing divisions on the basis of sect. Not because of intolerance or a desire for division, but because of his deep and profound understanding of tradition. The uniqueness of the various schools of Hinduism is in their separateness, their own discrete ways of approaching the divine and fulfilling human need. Since all humans are unique then so too there must be many traditio
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How To Wrangle a Woman

How To Wrangle a Woman


Most adult women can manage to wake up on time for work. It turns out that Brooklyn York is extraordinary. Yes, she has to be at work at 6 am, still…when you have to pay a perfect stranger very good money to be a human alarm clock it might be time to reassess. But Brooklyn isn't the most introspective person in town. She's much better at aiming pointed barbs at politicians and celebrities during her mornings on talk radio and her evenings on the college lecturecircuit.Kiri Klein rides to the rescue. She's very adept at helping celebs stay out of jail and rehab. Actually, Brooklyn is the easiest client she's ever worked with. The only problem is how to keep things strictly professional. Brooklyn is charming, generous and kind and Kiri begins to lose the battle. Maybe theycould have sex but keep it casual. That wouldn't be hard, would it? Well, would it?
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How to Look at a Painting

How to Look at a Painting


  Which of us, when finding ourselves in the presence of a painting, has not sensed that we lack the keys to decipher it? We feel an emotional response, but the work still seems to evade our understanding.Francoise Barbe-Gall combines a nuanced understanding of the way viewers respond to paintings with a rich knowledge of their context and circumstances of their creation. The result is like a tour of a dazzlingly eclectic museum in the company of a gentle yet authoritative guide.She takes as her point of departure the impressions that we all feel when confronted by a canvas and takes us on a voyage of discovery fired by her own passionate enthusiasm for the subject. What is the painting’s relationship with the real world? Has the artist idealized nature, or distorted it? Did they want to shock the viewer, or provide consolation? With a clear approach and straightforward yet subtle analysis, the meaning of each work slowly becomes clear.From Raphael’s penetrating character study of Castiglione, through Hopper’s cinematic take on the wee small hours of the morning Barbe-Gall begins by covering a number of ostensibly realistic works, made from the stuff of everyday life. Going in quite the other direction, she looks at the way paintings can express moments of heightened reality, from the perfection of Boticelli’s Primavera to the arresting glance of Vermeer’s girl with the Pearl Earring. She discusses paintings that distort the visible world (Parmigianino’s Madonna with an improbably long neck to Dali’s melting clocks) and those that sow confusion to make us more vigilant and pay closer attention to the real world (Cezanne’s depiction of a forest glade, or a mysterious fifteenth century altarpiece). Questions of history, style, iconography and composition are not neglected and are dealt in context of the paintings she discusses.
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How to be a Boy

How to be a Boy


Free Worldwide Delivery : How to be a Boy : Paperback : Walker Books Ltd : 9781406321319 : 1406321311 : 02 Jun 2011 : Teenage boys are trouble. It's in the news, on the front page - everywhere you look they're doing drugs, messing with knives, terrorizing communities. But what if it's become a self-fulfilling prophecy? What if you're 13, an OK kid in a bad life? What if you're more urban poet than gangster rapper?
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Negotiating Your Salary: How To Make $1000 a Minute

Negotiating Your Salary: How To Make $1000 a Minute


Negotiating Your Salary: How to Make $1000 a Minute has sold more than 250,000 copies because career professionals recommend it and it's better paid readers who applied the strategies, tell their friends. The 7th edition makes it easier than ever to put thousands of extra dollars into one's pocket because of the many key concepts that have been added to the "bible" of salary negotiations.Salary Negotiating has become even more user-friendly. Besides updating all the Internet references and e-tools, and addresing the challenges of negotiating in a melted down economy, the whole logical flow of the book is upgraded. The flow of the negotiating process itself is easier to understand and implement.In addition to the basic rules of negotiation, $1000 a Minute tells readers when to apply them. The book is reorganized to tell: What to do at the start of the job search, how to "dodge" the salary issue during the job search, what to prepare before a job interview, when to enter into negotiations, and what order to ask for things. Special training is provided in how NOT to jeapordize the offer you have and still negotiate for the offer you want.
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How to Be a Genius

How to Be a Genius


This incredible book tells you how the brain works, how it helps you survive in the world, and how it makes you the person that you are. You can study the different functions, areas, and states of the brain, and at each stage, there are cool games, quizzes, puzzles, brain teasers, and more! The activities show readers how their brains can work even better, making this a challenging, informative, and practical book; the only one of its kind on the market.
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Justin Paton - How to Look at a Painting

Justin Paton - How to Look at a Painting


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Release Date: April 01, 2009 more		 $16.10 - $16.10
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Osmund Rhodes Howard Thomson - A Contribution to the Classification of Works of Prose Fiction

Osmund Rhodes Howard Thomson - A Contribution to the Classification of Works of Prose Fiction


Release Date: June 15, 2009 more		 $19.97 - $19.97
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