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Fables and tales from La Fontaine. In French and English. Now first translated. To which is prefix'd, the author's life.

Fables and tales from La Fontaine. In French and English. Now first translated. To which is prefix'd, the author's life.


The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:++++British LibraryT154423The ornaments are those used by William Bowyer. Parallel French and English texts. Pp. 175-176 are repeated in pagination.London : printed for A. Bettsworth [sic] and C. Hitch, and C. Davis, 1734. [10],iii-xxvi,[6],293[i.e.295],[1]p. ; 8°
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Institutes of the Christian Religion: The First English Version of the 1541 French Edition

Institutes of the Christian Religion: The First English Version of the 1541 French Edition


The first English translation of a classic text of pastoral theology. / John Calvin (1509–1564) originally wrote his famous Institutes of the Christian Religion in Latin. Beginning with the second edition of his work published in 1541, Calvin translated each new version into French, simultaneously adapting the text to suit lay audiences, shaping it subtly but clearly to teach, exhort, and encourage them. Besides reflecting a more pastoral bent on Calvin's part, this 1541 Institutes is also notable as one of the founding documents of the modern French language. / Elsie Anne McKee's masterful translation of the 1541 French Edition — the first-ever English version — offers full access to the brilliant mind of John Calvin as he considered what common Christian people should all know and practice. / “This sparkling translation of John Calvin’s 1541 French Institutes offers modern-day readers in the English-speaking world the opportunity to read Calvin’s first version of his masterwork intended for a general audience. Elsie McKee is to be commended for her faithful yet accessible translation of this key text.”— Karin Maag / Henry Meeter Center for Calvin Studies, Calvin College and Seminary / major event for Calvin students! English-language readers can, at last, access and use the 1541 version of the Institutes. Scholars of repute consider this version the most admirable of all: it combines freshness and maturity, it is not overloaded with polemical developments, and, as the first theological work in the vernacular, it made a decisive contribution toward shaping modern French. It is a landmark in Calvin’s corpus. Elsie McKee’s translation, checked against the original French, remains scrupulously accurate, while it reads with ease and harmonious fluidity.”— Henri Blocher / Facult Libre de Thologie Evanglique / Wheaton College Graduate School / “I am impressed with what Elsie McKee has accomplished. It is amazing how she has managed to translate Calvin’s smooth French into an English that is a pleasure to read. Even more important, however, is that she has made this important work of Calvin accessible for a wide audience, so all can experience the stimulus that reading Calvin can give to the church and theology today.”— Herman J. Selderhuis / Theologische Universiteit Appeldoorn / “The 1541 edition of the Institutes has long been considered a gem among the various editions of Calvin’s classic. Its special virtues are that it is more concise than the final 1559 edition and also more pastoral and practical, reflecting Calvin’s years in the ministry. Finally we have a superb English translation of this edition by a premier Calvin scholar. Elsie McKee knows Calvin and knows French. The result is a wonderful contribution to Calvin studies in the English-speaking world. Readers of this version will gain fresh perspectives and new insights into the Reformer’s theology.”— I. John Hesselink / Western Theological Seminary
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Institutes of the Christian Religion: The First English Version of the 1541 French Edition

Institutes of the Christian Religion: The First English Version of the 1541 French Edition


The first English translation of a classic text of pastoral theology. / John Calvin (1509–1564) originally wrote his famous Institutes of the Christian Religion in Latin. Beginning with the second edition of his work published in 1541, Calvin translated each new version into French, simultaneously adapting the text to suit lay audiences, shaping it subtly but clearly to teach, exhort, and encourage them. Besides reflecting a more pastoral bent on Calvin's part, this 1541 Institutes is also notable as one of the founding documents of the modern French language. / Elsie Anne McKee's masterful translation of the 1541 French Edition — the first-ever English version — offers full access to the brilliant mind of John Calvin as he considered what common Christian people should all know and practice. / “This sparkling translation of John Calvin’s 1541 French Institutes offers modern-day readers in the English-speaking world the opportunity to read Calvin’s first version of his masterwork intended for a general audience. Elsie McKee is to be commended for her faithful yet accessible translation of this key text.”— Karin Maag / Henry Meeter Center for Calvin Studies, Calvin College and Seminary / major event for Calvin students! English-language readers can, at last, access and use the 1541 version of the Institutes. Scholars of repute consider this version the most admirable of all: it combines freshness and maturity, it is not overloaded with polemical developments, and, as the first theological work in the vernacular, it made a decisive contribution toward shaping modern French. It is a landmark in Calvin’s corpus. Elsie McKee’s translation, checked against the original French, remains scrupulously accurate, while it reads with ease and harmonious fluidity.”— Henri Blocher / Facult Libre de Thologie Evanglique / Wheaton College Graduate School / “I am impressed with what Elsie McKee has accomplished. It is amazing how she has managed to translate Calvin’s smooth French into an English that is a pleasure to read. Even more important, however, is that she has made this important work of Calvin accessible for a wide audience, so all can experience the stimulus that reading Calvin can give to the church and theology today.”— Herman J. Selderhuis / Theologische Universiteit Appeldoorn / “The 1541 edition of the Institutes has long been considered a gem among the various editions of Calvin’s classic. Its special virtues are that it is more concise than the final 1559 edition and also more pastoral and practical, reflecting Calvin’s years in the ministry. Finally we have a superb English translation of this edition by a premier Calvin scholar. Elsie McKee knows Calvin and knows French. The result is a wonderful contribution to Calvin studies in the English-speaking world. Readers of this version will gain fresh perspectives and new insights into the Reformer’s theology.”— I. John Hesselink / Western Theological Seminary
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Translating Freud Language & Freud

Translating Freud Language & Freud


This book describes the problems that become apparent when translating Freud's subtle thought and supple wording and examines the way in which these dilemmas are affected by the language - French, Spanish, and English - into which the work is translated. The authors are internationally distinguished experts in Freud and language, most of whom have taught Freud's work in two or more languages: Andre Bourguignon, Pierre Cotet, Alex Holder, Helmut Junker, Jean Laplanche, Patrick J. Mahony, Darius Gray Ornston, Jr., and Inga Villarreal. The authors discuss the divergencies between what Freud said about his own ideas and what his most popular translators have presented as his words, considering difficulties and solutions devised for the most widely accepted translations (including the British "Standard Edition"). They also explain why there is no historical and critical edition of Freud's works in any language - including German. This book includes an English version of part of Traduire Freud, the explanatory volu
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French Women Philosophers: A Contemporary Reader

French Women Philosophers: A Contemporary Reader


This reader is the first of its kind to present the work of leading French women philosophers to an English-speaking audience. Many of the articles appear for the first time in English and have been specially translated for the collection. Christina Howells draws on major areas of philosophical and theoretical debate including Ethics, Psychoanalysis, Law, Politics, History, Science and Rationality. Each section and article is clearly introduced and situated in its intellectual context. The book is necessarily feminist in inspiration but draws on an unusually wide range of thinkers, chosen to represent the philosophy of women rather than feminist philosophy. It will be ideal for anyone coming to this area for the first time as well as those seeking to extend their understanding of French thought and Continental Philosophy. Articles by the following writers are included: Francoise Collin, Sylviane Agacinski, Catherine Chalier, Luce Irigaray, Francoise Proust, Francoise Dastur, Barbara Cassin, Natalie Depraz, Elisabeth de Fontenay, Elisabeth Badinter, Francoise Heritier, Helene Cixous, Monique Schneider, Julia Kristeva, Sarah Kofman, Monique David Menard, Francoise d'Eaubonne, Genevieve Fraisse, Michele Le Doeuff, Natalie Charraud, Francoise Balibar, Anne Fagot-Largeault, Colette Guillaumin, Dominique Schnapper, Myriam Revault-D'Allonnes, Nicole Loraux, Mireille Delmas-Marty, Blandine Kriegel.
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Dictionary of Artists - 14 Volumes (First English Edition)

Dictionary of Artists - 14 Volumes (First English Edition)


The classic French artist encyclopedia, Dictionnaire des Peintres, Sculpteurs, Dessinateurs et Graveurs Benezit or Benezit for short, one of the most popular, best selling, and widely consulted art reference books in the world has again been revised, expanded, and-- here's the best part-- TRANSLATED INTO ENGLISH. The newly titled Benezit Dictionary of Artists means no more fumbling through artist listings, French-English dictionary at your side, trying to figure out exactly what you're reading. The last major revision was done in 1999 when the encyclopedia expanded from ten to fourteen volumes. This new translated edition, also fourteen volumes, has increased to over 20,000 pages with thousands of updates and addtions, and includes over 170,000 artists of all time periods and nationalities.Every artist entry contains basic biographical information, specialties (painter, sculptor, printmaker, etc.) and, when available, birth and death dates, signature examples, price records, exhibition histories, awards, career milestones, and relevant genealogical details.The major advantage of Benezit over artist indexes like Davenport's Art Reference and Price Guide is that it provides more detailed biographical data. Davenport's is an excellent first step in artist research and it's a great reference, but it only provides the most rudimentary data, referring you to other sources of more complete information like Benezit, for example. And yes, Benezit often has the most comprehensive listing on an artist available anywhere, especially more obscure names. It also lists many artists who are not found in artist indexes or price guides.Most major libraries, museums, and universities already have Benezit in their art reference sections, but not the English translation, which is where you come in. Tell them it's available and ask them to buy it. In the art business, you're only as good as your reference library, knowledge means profits, and when it's knowledge you need, you'll find it in Benezit far more often than not.
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The amorous history of the Gauls. Written in French by Roger de Rabutin, Count de Bussy, and now translated into English.

The amorous history of the Gauls. Written in French by Roger de Rabutin, Count de Bussy, and now translated into English.


The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:++++British LibraryT072337With two final advertisement leaves. Nos. 190-191 omitted from pagination.London : printed for Sam. Illidge, 1725. [2],viii,[38],234[i.e.232],[4]p. ; 12°
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A to Z of French Food, French to English Dictionary of Culinary Terms

A to Z of French Food, French to English Dictionary of Culinary Terms


his is the first thing to pack whenever heading out for France. Even if you understand French, culinary usage can be different than you expect. Outside of Paris, English is not always understood let alone spoken. Even where English is spoken, they may have difficulty truly translating the menu for you. This small pocket sized book is the best dining aid around. Once you actually understand what is on the menu, you can break loose from the Poulet Roti and jump right into the Souris d'Agneau (literally mouse of mutton).
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A to Z of French Food, French to English Dictionary of Culinary Terms

A to Z of French Food, French to English Dictionary of Culinary Terms


his is the first thing to pack whenever heading out for France. Even if you understand French, culinary usage can be different than you expect. Outside of Paris, English is not always understood let alone spoken. Even where English is spoken, they may have difficulty truly translating the menu for you. This small pocket sized book is the best dining aid around. Once you actually understand what is on the menu, you can break loose from the Poulet Roti and jump right into the Souris d'Agneau (literally mouse of mutton).
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Fleurs-de-lys: A Book Of French Poetry Freely Translate

Fleurs-de-lys: A Book Of French Poetry Freely Translate


Store Search search Title, ISBN and Author Fleurs-de-Lys: A Book of French Poetry Freely Translated Into English Verse by Thorley Wilfrid Charles Estimated delivery 3-12 business days Format Paperback Condition Brand New Details ISBN 1110389957 ISBN-13 9781110389957 Title Fleurs-de-Lys: A Book of French Poetry Freely Translated Into English Verse Author Thorley Wilfrid Charles Format Paperback Year 2009 Pages 356 Publisher BiblioLife Dimensions 5 in. x 0.7 in. x 8 in. About Us Grand Eagle Retai
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Of Flies and Monkeys/de singes et de mouches (English and French Edition)

Of Flies and Monkeys/de singes et de mouches (English and French Edition)


In the field of contemporary French poetry, Jacques Dupin (b. 1927) is a leading figure in a remarkable generation that also includes Yves Bonnefoy, Philippe Jaccottet, Jacques Raida, and Andre du Bouchet. In comparison to the aforementioned poets, however, Dupin's work has been little available in English. A single volume, Selected Poems (Wake Forest University Press, 1992), translated by Paul Auster, Stephen Romer, and David Shapiro, collects early work, but none of the poet s recent verse has appeared in English-speaking countries. This project intends to right this situation. Dupin's two important recent volumes, Coudrier (Hazel Tree) and De singes et de mouches / Les Meres (Of Flies and Monkeys / The Mothers), form a stimulating collective introduction to the poet's latest writing. The two books thus present three major poetic sequences that complement each other through recurrent common themes, and showcase the poet's various formal accomplishments. A single volume will illustrate how Dupin passes from the psychologically deep-probing prose poems of Les Meres to the skeletal ontological verse of Coudrier and the permutational lexical punning of De singes et de mouches. As the critic Jean-Pierre Richard points out in his postface to the Gallimard-Poesie paperback volume, Le Corps clairvoyant (1999), the territory of words, sensations, and images that is invented through Dupin's poems . . . belongs to no other poet today. His use of numerous key terms is especially original. Drawing on all the polysemy and resonance of words such as Eclat, feuille, soif, bord, (se) jeter, or souffle and this list could be greatly extended the poet forges poems in which meaning is at once rich, indeed supersaturated, and not entirely determinate in that it is evoked in a process of becoming, of blossoming as it were. A given line comprising feuille, for instance, will be read differently if the reader construes the word as leaf or piece of paper. E‰clat can be read as sparkle, explosion, even shrapnel. All these meanings are valid and function simultaneously. No given poem therefore has a single theme, but rather several coexistent ones, and they range from writing and war to sexual desire, death, and the perception of natural phenomena. Even in the thematically more restricted sequence Les Meres, which delves from several angles into motherhood and the relationship of a child to his mother, throughout the child's life, Dupin manages to conjure up a primitive or, more precisely, nascent state of being in which sensations, sentiments, perceptions, thoughts, and acts are depicted as emerging, before arguably language can categorize and conceptualize them. His stark poetry brings forth opposites, fosters paradoxes, suggests potential narratives that are left unrecounted, and could perhaps be called cubist in its juxtaposition of fragments and in its rejection of natural or logical transitions. Not least, his writing is humorous, especially in its wry quips, ironic transformations of well-worn expressions, or playful imagery based on in the present case flies and monkeys. It is hard to think of equivalents to Dupin's poetics in contemporary American verse. This originality also argues for the urgency of making his recent poetry available to English readers. His writing implicitly challenges the realist, empiricist, and straightforwardly autobiographical underpinnings of much contemporary English-language verse. John Taylor has translated these two volumes with the active collaboration of Jacques Dupin.
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General Sun, My Brother (CARAF Books: Caribbean and African Literature translated from the French)

General Sun, My Brother (CARAF Books: Caribbean and African Literature translated from the French)


The first novel of the Haitian novelist Jacques Stephen Alexis, General Sun, My Brother appears here for the first time in English. Its depiction of the nightmarish journey of the unskilled laborer Hilarion and his wife from the slums of Port-au-Prince to the cane fields of the Dominican Republic has brought comparisons to the work of Emile Zola, André Malraux, Richard Wright, and Ernest Hemingway.Alexis, whose mother was a descendant of the Revolutionary General Jean-Jacques Dessalines, was already a mature thinker when he published General Sun, My Brother (Compère Général Soleil) in France in 1955. A militant Marxist himself, Alexis championed a form of the "marvelous realism" developed by the Cuban novelist Alejo Carpentier, who called for a vision of historical reality from the standpoint of slaves for whom the supernatural was as much a part of everyday experience as were social and other existential realities. General Sun, My Brother opens as Hilarion is arrested for stealing a wallet and imprisoned with an activist named Pierre Roumel—a fictional double for the novelist Jacques Roumain—who schools him in the Marxist view of history. On his release, Hilarion meets Claire-Heureuse and they settle down together. Hilarion labors in sisal processing and mahogany polishing while his partner sets up a small grocery store. After losing everything in a criminally set fire, the couple joins the desperate emigration to the Dominican Republic. Hilarion finds work as a sugarcane cutter, but the workers soon become embroiled in a strike that ends in the "Dominican Vespers," the 1937 massacre pf Haitian workers by the Dominican army. The novel personifies the sun as the ally, brother, and leader of the peasants. Mortally wounded in crossing the Massacre River back into Haiti, Hilarion urges Claire-Heureuse to remarry and to continue to work for a Haiti where people can live in dignity and peace.
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Of Dreams and Assassins (CARAF Books: Caribbean and African Literature translated from the French)

Of Dreams and Assassins (CARAF Books: Caribbean and African Literature translated from the French)


Of Dreams and Assassins is the urgent and rhythmic fourth novel of Malika Mokeddem, her second to appear in English. Born in Algeria to a Bedouin family that had only recently become sedentary, Mokeddem was raised on the stories of her grandmother, who encouraged her education at a time when girls did not go to school. Though raised in a tolerant version of Islam, Mokeddem nevertheless felt the weight of custom and tradition. Of Dreams and Assassins, though not strictly autobiographical, evokes through the beauty and vastness and oppressive heat of the desert Mokeddem's early yearning for freedom. Through its heroine, Kenza, and her simultaneous rebellion and immersion in the literary classics at a boarding school, the novel dramatizes the possibilities for women to express their identities.Kenza is an exile, first in her own society and later in France. Born during a visit to Montpellier in the year of Algerian independence, she returns with her mother to Oran to find her father has taken another wife. Her mother leaves alone, never to return. Kenza's subsequent search for herself through the mother she doesn't know, told in a frank first-person narrative, mirrors the struggle of Algerian women to make a place in a society that has stripped them of their rights in spite of their crucial participation in the war for independence. Kenza's suffocating childhood in the house of her boisterous, leering father is broken only by summers in the desert, where the dates "become golden brown and gleam like little clusters of suns that mock the children." Eventually, Kenza, like Mokeddem herself, leaves her home to go to school in Montpellier, because she can no longer tolerate life in Algeria.Of Dreams and Assassins is a protest, against the subjugation of women in Algeria and the violence of the last ten years, perpetrated by fundamentalist Muslim guerrillas. In exile, Kenza puts her hope in métissage, the blending of cultures embodied by the character of Slim, her friend and confidant, who lives happily with his mixed-race origins. Kenza's story dramatizes Mokeddem's belief that the future of Algeria lies in its women and in education; only through liberation and education can the pain of Kenza's exile be redeemed.
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The life of Hannibal. Translated from the French of Mr. Dacier.

The life of Hannibal. Translated from the French of Mr. Dacier.


The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Rich in titles on English life and social history, this collection spans the world as it was known to eighteenth-century historians and explorers. Titles include a wealth of travel accounts and diaries, histories of nations from throughout the world, and maps and charts of a world that was still being discovered. Students of the War of American Independence will find fascinating accounts from the British side of conflict. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:++++British LibraryT113403Also issued as: 'A supplement to Plutarch's lives; .. By Tho. Rowe; and Hannibal, by Mr. Dacier.', London, 1737.London : printed for John Gray, 1737. 182,[10]p. ; 8°
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The Sea & Other Poems (English and French Edition)

The Sea & Other Poems (English and French Edition)


Comprehensive bi-lingual anthology of the poems of Guillevic timed to coincide with the festivities in France to celebrate the 100th anniversary of his birth. Translated into some 50 languages in over 60 countries, Guillevic remains one of the most popular poets of Europe inspiring songs, artists, (over 100 of the worlds most prominent artists have illustrated his works) and poetry lovers everywhere. Despite his wide acclaim English language editions of his work are difficult to find and often poorly translated. This edition sets a new standard for English language renditions of his poetry.
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It Shall Be of Jasper and Coral and Love-across-a-Hundred-Lives (CARAF Books: Caribbean and African Literature translated from the French)

It Shall Be of Jasper and Coral and Love-across-a-Hundred-Lives (CARAF Books: Caribbean and African Literature translated from the French)


The West African writer, painter, playwright, and director Werewere Liking is considered one of the best literary interpreters of the postcolonial condition in Africa. Her first work to be translated into English, these two novels spare nothing in their satirical portraits of the patriarchal view of African society as they experiment radically with the novel form.At once dramatic, lyrical, satirical, and epistolary, "It Shall Be of Jasper and Coral (Journal of a Misovire)," subtitled "A Song-Novel," introduces the "misovire"—literally defined as a man-hater but seen by Liking as the figure of a time when gender differentiation will be irrelevant to discovering the fullness of what it means to be human. The misovire recounts the story of the inhabitants of Lunaï, a squalid fictional village in Africa. The novel's action occurs on two levels, as the misovire contemplates writing a journal, and through that heralds the creation of a new race.Instead of holding the daily entries of a conventional diary, this journal is to be composed of nine "pages," each dedicated to a specific theme, from creativity and art criticism to friendship and the importance of raising children to be balanced human beings. The misovire's musings, interspersed with the dialogue of two comical characters named Babou and Grozi, bring together a powerful polyphony of modern Africa. While bitterly critical, it ends on a hopeful note, as the misovire prophesies the birth from the sea of a new African who "shall be made of jasper and coral."In "Love-across-a-Hundred-Lives," the narrator tells the story of Lem, her brother, who is preparing to hang himself when his grandmother Madjo appears. He secretly expects her to dissuade him from suicide, but instead she encourages him, urging him to make his final action a success that will make up for all his earlier failures. As he continues to knot the rope that will be his noose, Madjo tells Lem stories of their ancestors, of legendary and historical African figures; interwoven are the voices of Lem himself, of the narrator, and of her sister Go. When Lem is finally ready to conclude his act, he no longer wants to die. Madjo has accomplished her mission to make Lem a man in the most complete and most noble sense of the word, whole and strong enough not only to survive but to give of himself to others.In addition to illustrating the formal innovations for which Liking is increasingly known and celebrated in Africa and the francophone world, these two novels establish a discourse with icons of African literature such as Léopold Sédar Senghor and Cheikh H. Kane, debunking many myths about the continent that produced them. With Liking's refreshingly iconoclastic writing driving their message, "It Shall Be of Jasper and Coral" and "Love-across-a-Hundred-Lives" introduces a fascinating African literary voice to the English-speaking world.
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Women of Algiers in Their Apartment, Translated by Marjolijn de Jager, Afterword by Clarisse Zimra (CARAF Books: Caribbean and African Literature translated from the French)

Women of Algiers in Their Apartment, Translated by Marjolijn de Jager, Afterword by Clarisse Zimra (CARAF Books: Caribbean and African Literature translated from the French)


The cloth edition of Assia Djebar's Women of Algiers in Their Apartment, her first work to be published in English, was named by the American Literary Translators Association as an ALTA Outstanding Translation of the Year. Now available in paperback, this collection of three long stories, three short ones, and a theoretical postface by one of North Africa's leading writers depicts the plight of urban Algerian women who have thrown off the shackles of colonialism only to face a postcolonial regime that denies and subjugates them even as it celebrates the liberation of men. Denounced in Algeria for its political criticism, Djebar's book quickly sold out its first printing of 15,000 copies in France and was hugely popular in Italy. Her stylistically innovative, lyrical stories address the cloistering of women, the implications of reticence, the connection of language to oppression, and the impact of war on both women and men. The Afterword by Clarisse Zimra includes an illuminating interview with Djebar.
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Bluebeard: A Reader's Guide to the English Tradition

Bluebeard: A Reader's Guide to the English Tradition


Bluebeard is the main character in one of the grisliest and most enduring fairy tales of all time. A serial wife murderer, he keeps a horror chamber in which remains of all his previous matrimonial victims are secreted from his latest bride. She is given all the keys but forbidden to open one door of the castle. Astonishingly, this fairy tale was a nursery room staple, one of the tales translated into English from Charles Perrault's French Mother Goose Tales.Bluebeard: A Reader's Guide to the English Tradition is the first major study of the tale and its many variants (some, like "Mr. Fox," native to England and America) in English: from the eighteenth- and nineteenth-century chapbooks, children's toybooks, pantomimes, melodramas, and circus spectaculars, through the twentieth century in music, literature, art, film, and theater.Chronicling the story's permutations, the book presents examples of English true-crime figures, male and female, called Bluebeards, from King Henry VIII to present-day examples. Bluebeard explores rare chapbooks and their illustrations and the English transformation of Bluebeard into a scimitar-wielding Turkish tyrant in a massively influential melodramatic spectacle in 1798. Following the killer's trail over the years, Casie E. Hermansson looks at the impact of nineteenth-century translations into English of the German fairy tales of the Brothers Grimm, and the particularly English story of how Bluebeard came to be known as a pirate. This book will provide readers and scholars an invaluable and thorough grasp on the many strands of this tale over centuries of telling.
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Petit Cours De Versions; Or, Exercises For Translating

Petit Cours De Versions; Or, Exercises For Translating


Store Search search Title, ISBN and Author Petit Cours de Versions; Or, Exercises for Translating English Into French. by Percy Sadler Estimated delivery 3-12 business days Format Paperback Condition Brand New Details ISBN 0554562715 ISBN-13 9780554562711 Title Petit Cours de Versions; Or, Exercises for Translating English Into French. Author Percy Sadler Format Paperback Year 2008 Pages 280 Publisher BiblioLife Dimensions 9.7 in. x 0.6 in. x 7.4 in. About Us Grand Eagle Retail is the ideal pla
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Urban Forms

Urban Forms


This popular and influential work, translated here into English for the first time, argues that modern urbanism has upset the morphology of cities, abolished their streets and isolated their buildings. In tracing the stages of this transformation, this book presents the view that the urban tissue, the intermediate scale between the architecture of buildings and the diagrammatic layouts of town planning, is the essential framework for everyday life. Only by investigating the urban tissue will it be possible to understand the complex relationships between plot and built form, between streets and buildings and between these forms and design practices.The chosen trail of the first French edition - Paris, London, Amsterdam, Frankfurt - is one of continuously evolving modernity. It outlines a history, which, in one century (1860-1960), completely changed the aspect of our towns and cities and transformed our way of life. The shock has been such that we are still looking for answers, still attempting to find urban forms that can accommodate present day ways of life and at the same time maintain the qualities of the traditional town.This English edition brings the story forward to the present day and considers the impact of the New Urbanism in the United States, which, over the last decade, has sought to re-establish former relationships within the urban tissue. * Internationally influential and highly respected French urban design theory translated into English for the first time* Both students and lecturers, of architecture and urban design, will find the theories and case studies informative and thought provoking * Features new up to date chapter focusing on US and New Urbanism
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